Phantom Writing
DOI:
https://doi.org/10.59490/footprint.18.1.6947Abstract
In this visual essay I present a body of artistic work done within informal urban and suburban heritage sites in Kyoto. Through the media of text, photography, film and site-specific painting, my works from the cycle Spirit Grounds engage with these sites involving material physical aspects as well as beliefs, fictions, and more-than-human beings. Building upon this, I propose ‘phantom writing’ or ‘phantasmography’ as a situated, multidisciplinary and multisensory approach aimed at understanding and designing contemporary places, landscapes and environments, acknowledging and mediating the agency of diverse phantoms and phantasms.
References
Bubandt, Nils. ‘Anthropocene Uncanny: Nonsecular Approaches to Environmental Change.’ In A Non-secular Anthropocene: Spirits, Specters and Other Nonhumans in a Time of Environmental Change, edited by Nils Bubandt, 42-53. Aarhus: AURA Working Papers Vol. 3, 2018.
Desjarlais, Robert. ‘Phantasmography.’ American Anthropologist 118, no. 2 (June 2016): 400-407.
Hirschbichler, Michael. Geistergrund / Spirit Grounds / 霊地 . Vienna: Verlag für Moderne Kunst, 2021.
Hirschbichler, Michael. ‘Phantasmography. Spaces of Extraction.’ IKA Pre¬view Sum¬mer 2021 (2021): 10-11.
Hirschbichler, Michael. ‘Phantasmography II. Spaces of Accumulation.’ IKA Pre¬view Winter 2021 (2021): 10-11.
Hirschbichler, Michael. ‘Phantasmography.’ IKA Review Summer 2021 (2022): 2-3.
Hirschbichler, Michael. ‘Phantasmography.’ IKA Review Winter 2021 (2022): 2.
Tsing, Anna, Nils Bubandt, Elaine Gan, and Heather Anne Swanson. Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. Minneapolis: University of Minnesota Press, 2017.
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