Total Furnishing Unit New York (US)

Joe Colombo with Ignazia Favata

Authors

  • Pierijn van der Putt TU Delft, Architecture and the Built Environment

DOI:

https://doi.org/10.7480/dash.11.4975

Abstract

In 1972, the influential exhibition ‘Italy: The New Domestic Landscape’ was held at the MoMA in New York. Curator Emilio Ambasz assembled 180 household objects and 11 installations by Italian designers in order to investigate the relationship between the designer, the user and (industrialized) society. Italy, which at that time was the leading country in terms of design, served as a model for the entire industrialized world.

In the exhibition, the headings ‘counter-design’ and ‘contestatory objects’ allowed room for criticism of the consumer society. The Archizoom collective set up a loudspeaker in an empty room, which in harsh terms commented on the destruction of objects and institutions, and then played a mellifluous description of a utopian world. The quite eye-catching installation by Joe Colombo, called Total Furnishing Unit, was not among these critical entries, but it did make statements about the changing relationship between contemporary people and their homes.

Author Biography

Pierijn van der Putt, TU Delft, Architecture and the Built Environment

Pierijn van der Putt (Eindhoven, 1973) studied Architecture at Delft University of Technology, the University of Illinois in Chicago and Drexel University in Philadelphia. He worked as an editor for Dutch architectural magazine de Architect for seven years before returning to Delft. There, in addition to being an editor for DASH (Delft Architectural Studies on Housing), he teaches academic research and architectural design for the group of Architecture and Dwelling. His particular interest lies in creative writing and in improving academic writing skills.

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Published

2018-06-01

Issue

Section

Case Studies